Found Science Poetry #1

I recently came across a post by Rachel David: “Science communication in unconventional forms – experiments in Found Poetry.” It reminded me of my poetry writing days in high school and college including undergraduate poetry courses that gave me insight into playing with style and form. Found poetry uses words and phrases from pre-written text to serve as a sort of amniotic fluid, helping to nourish the birth of something new. David gives insight into applying this process to scientific papers.

So, I am using this as both a jumping off point and permission to engage creatively with some of the papers I’ve found while helping to revise a scientific manuscript I submitted collaboratively with a team of researchers I completed some past research with. This first attempt keeps with the environmental focus of the paper I chose, and benefited greatly from the rich word choice in the writing:

State of the Game

Average citizens – visitors of
A world in general,
A world in particular.
That world: A broadcast of
wildlife, of botanical exhibitions,
and beautiful aesthetic discovery.

Environmental context underpins
a curiosity of rapid human endeavors,
notorious behavioral intentions
and byproducts of ideas.
Some lead to growing ruin,
a world polluted,
an endangered future.

What are the catalysts,
the vital ingredients
to protect this authentic identity of nature,
to construct new outcomes,
to rethink moral orientations?

Are empathy, emotional involvement the
salient keys to designing these better instruments?
Of insight,
Of action,
Of change?
What enduring free-choices will support
our delicate natural heritage,
So it will not just be
What we attend to in our memory?

Derived from: Ballantyne, Roy & Packer, Jan. (2005). Promoting environmentally sustainable attitudes and behaviour through free-choice learning experiences: What is the state of the game?. Environ Educ Res. 11. 10.1080/13504620500081145.

Art & Poetry

Our local art museum held a recent contest called Words on Canvas asking students to submit poetry or prose pieces inspired by certain works in their collection. I used to write poetry as an undergraduate regularly so this was an amazing chance to flex those muscles again and to really reside in the art pieces in an unusual way. I chose to write about Bertram Hartam’s painting City Blocks. The resulting poem is below:

IMG_20180210_122200110
City Blocks by Bertram Hartman c.1929

The Place Where We Dwell

The wall-ridden people in the city, they stir,
Their thoughts brazen and free like birds,
Their souls full and mottled
like the high-rise walls,
The insides of their skulls a place for
the graffiti of being
Signs of experience and civilization,
like an oil slick in a harbor, an
oil slick of humanness, beauty and noise
Castoffs and culture, scraps and silver splinters,
rage of steel-laced angles and corners
The thump-thump rise, itch of internal amorphous beat,
The breath of socketed despair
The breath of burning struggle
Of punch-drunk ambition
The breath of disquiet
Of zoetic love
Of thick-skinned passion
All trying to swell, to climb, to rise to heaven in one heaving breath
Visible
In a divine line of view
The place where we dwell